English (Kaleidoscope) Important Questions for Chapter 3 Film Making Class 12 - FREE PDF Download
FAQs on Film Making Class 12 Important Questions: CBSE English Non-Fiction (Kaleidoscope) Chapter 3
1. What are the most important questions likely to be asked from the CBSE Class 12 English Chapter 3 ‘Film Making’ for board exams?
- Questions focusing on Ingmar Bergman’s philosophy of filmmaking.
- The significance of childhood memories in inspiring creative work.
- The meaning and impact of the ‘Split Second Impression’ in film creation.
- Bergman’s comparison between film and literature.
- Key features and themes of Bergman’s films, as per CBSE 2025–26 pattern.
2. Explain the concept of ‘Split Second Impression’ and its importance in the filmmaking process according to Ingmar Bergman. (5-mark, 2025–26)
The ‘Split Second Impression’ refers to the fleeting, initial idea or feeling that acts as the spark for a film. Although this impression is momentary, it forms the creative seed around which the narrative develops. Its importance lies in:
- Triggering the filmmaker’s imagination.
- Guiding the conceptualization of the story.
- Evolving into a structured narrative as the film progresses.
3. How does Bergman illustrate the influence of childhood on filmmaking? (CBSE expected, FUQ)
Bergman describes how vivid childhood memories, especially those rich in visual and emotional experiences, directly shaped his storytelling approach. These early impressions provided him with creative inspiration and a foundation for his unique film style. For exams, focus on how childhood reflections influence artistic choices and creative vision.
4. Discuss the unique rhythm of a film and its role in engaging the audience, as presented in ‘Film Making’. (Conceptual, FUQ)
Bergman notes that every film possesses its own rhythm, which may not always correspond to the filmmaker's original intention. The unique rhythm determines:
- The pace and emotional intensity of the narrative.
- The extent of audience engagement.
- How effectively the story resonates with viewers, a frequently tested concept in CBSE sample papers.
5. In what ways does Ingmar Bergman differentiate between film and literature as art forms? (Frequently asked, conceptual)
According to Bergman:
- Films: Rely on visual storytelling, rhythm, and emotional impact.
- Literature: Depends on written descriptions and structured narrative.
- Bergman asserts that adapting a novel into film requires significant changes to suit the medium's strengths.
6. What are the main challenges faced by filmmakers, as discussed in ‘The Tightropes of Filmmaking’? (CBSE, HOTS)
Bergman highlights key challenges:
- Constant need to prove worth in a highly competitive industry.
- Risk of being forgotten after a single failure.
- Pressures to balance creativity and commercial success.
- Precarious nature of career stability in filmmaking.
7. Why does Bergman emphasize filmmaking as a collaborative effort, and what is meant by the ‘Cathedral Building’ analogy?
Bergman likens filmmaking to ‘Cathedral Building’, emphasizing that:
- Films require collaboration between directors, writers, actors, and crew.
- The success depends on collective talent and teamwork.
- Modern art risks losing meaning when focused on ego over collaboration.
8. Outline the key features of Bergman’s films that are often highlighted in board exams. (3-mark)
- Use of vibrant colours to enhance emotion.
- Recurring central themes around dysfunctional families.
- Deep exploration of the human psyche.
- Innovative storytelling techniques and unique film rhythm, as per CBSE 2025–26 marking scheme.
9. How does the portrayal of dysfunctional families contribute to the themes in Bergman’s films?
Portraying dysfunctional families allows Bergman to:
- Delve into complex emotional and psychological relationships.
- Highlight universal family struggles and conflicts.
- Provide audiences with relatable, thought-provoking content.
10. What role does imagination play in the creative process of filmmaking, according to Bergman? (Expected in 5-mark CBSE board Q)
Imagination is the cornerstone of filmmaking for Bergman:
- Transforms abstract thoughts into vivid stories and characters.
- Enables unique visualizations of emotions and ideas.
- Leads to the creation of compelling narratives that connect with viewers.
11. Why is understanding the rhythm of a film considered vital for CBSE Class 12 students preparing for long-answer questions? (FUQ)
Understanding film rhythm is crucial because it shapes:
- The structure and flow of the narrative.
- How audiences perceive and emotionally respond to the film.
- Exam answers often require analysis of narrative techniques and their impact on viewer engagement.
12. What are some potential misconceptions students might have about adapting literature to film for board exams?
Common misconceptions include:
- Assuming a direct, unchanged translation of the text into film.
- Overlooking the need for visual and emotional adaptation.
- Failing to recognize differences in narrative techniques across the two forms.
13. How does Bergman’s approach to art and life in ‘Film Making’ inspire critical analysis questions in CBSE English?
Bergman’s holistic approach underscores:
- The interplay between personal experiences and artistic expression.
- The necessity for authenticity and collaboration in art.
- Students are expected to analyze such themes critically in long-answer questions, a key trend in CBSE 2025–26 English evaluations.
14. What risks and challenges inherent in filmmaking should students highlight when answering 2025–26 CBSE board questions?
Key risks and challenges include:
- Financial and commercial uncertainties.
- Creative pressures and potential for failure.
- Demands for innovation in a competitive industry.
- Managing the balance between artistic vision and audience expectations.
15. Compare the role of inspiration in the creation of films versus other art forms based on Bergman’s essay. (High-order, FUQ)
For Bergman, inspiration in filmmaking:
- Emerges from personal experience, observations, and inner reflections.
- Requires transforming intangible emotions into visual and auditory experiences.
- Presents more complex demands than static art forms due to the dynamic, collaborative, and sensorial nature of cinema.

















